Best Orange Amps

Orange Amplifiers are the most recognizable designs on the market, with their appealing picture frame style framing, bright colors and Tolex covering. The visual appeal of theirs is good, but of course it is the sound which will come out of the amplifier that actually matters.
Founded in the 1960s, Orange was one of the businesses that helped to shape the British amp sound. Their sound is recognized for being bright but crunchy; a lot of guitarists consider Orange amps to have the best balance of tonal depth and rocking distortion. The first Orange designs used a tube amplification system and carried a correspondingly high price tag. Recently, they have developed a number of combo and solid state amplifiers that deliver similar quality of sound at a cheaper cost.
Whether you are searching for finesse or power in your brand new amplifier, Orange has an unit which will work for you. Below we go into the recommendations of ours for the very best Orange amps on the market.

Orange Rocker 15 watt Tube Combo

A 1X15″ amp is in many ways the ideal size for stage performance. it is large enough for powerful output across the frequency range of the instrument of yours, however small It is not hard to transport to gigs. It is also effective at a broad range of dynamics, sounding the same at low volumes as it does at gain that is high. Use it in small clubs or perhaps much larger venues, or perhaps for home practice; it is going to adapt well to each circumstance. It uses a somewhat classic two channel design. The “Dirty” channel has a 3 band controls and EQ for gain and volume, while the “Natural” channel has one volume knob. Regardless of how you set it, you will get the fat, saturated valve tone folks look for in an Orange amp.


The TH30C is in many ways the best amp for a gigging guitarist, giving you lots of power for club and bar gigs. It provides a remarkably big sound for a 30 watt amp, thanks in large part to the installed 12″ Orange Voice of the World speaker. It offers interactive bass and treble control while the dirty channel’s four stage system provides you with powerful gain.

Crush CR60C

The CR60C is a stage-worthy amp for any player who craves Orange’s visual vibe, heavy tones, and can benefit from a 2-channel setup. At under $500, it’s very affordable too. While the CR60C won’t fool tube purists or deliver as much of the harmonic depth in high-gain situations as a tube-driven Orangethe CR60C sounds great independent of those comparisons, particularly when you factor in the sweet-sounding clean channel. This may be an Orange for players on a budget, but it has enough power and versatility to work on any stage and in any performance situation.

Crush Pix CR12L

 Gain is just pure distortion. Dial it up for rock and metal. I found both to work great, very similar to a Marshall gain tone in my opinion.

The 3 band EQ is great in finding the right tone for your needs, and I had fun getting some interesting clean tones. By experimenting with the controls on the amp and the tone controls on my guitar, I could get a big range of tones. Adding a reverb pedal, or a chorus pedal would provide a really solid clean tone amp.

Many people claim that this is impressively loud for a 12 watt amp, and they’re right. I’m not sure whether it’s the design of the casing, the way the circuitry drives the 6″ speaker or something magic – but the volume from this little box is pretty remarkable.

Tubes vs Solid State

Jazz guitarists often prefer the super-clean sound of a transistor amp. The Roland JC-120 is legendary among jazz musicians, and even rock players looking for a good clean sound. Many solid-state or Transtube Peavey amps are known for their power and realistic distortion. The late Dimebag Darrell, formerly of Pantera and Damageplan, was known to use solid-state Randall amplifiers because they accomplished the harsh, buzzy tone he wanted.

So who plays tube amps? Pretty much everyone else. Tube tone is definitely the gold standard in guitar sounds, and most rock guitarists from Hendrix on have used tube amps to get their sound.

Speaker Size

The size of the speakers of yours will have an effect on both the dynamic energy as well as the responsiveness of the amp of yours. Smaller speakers are going to give you more attack definition and better articulation, particularly in the lower end; larger speakers generate a lot more power but may be way too bass heavy and some players find the end result a little muddled. For the majority of guitarist, a 10″ or perhaps 12″ speaker provides you with the perfect balance of clarity and volume for top overall sound. Bottom line: finding the so called the best Orange amp is very influenced by your very own personal space and needs. Good luck!

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